In order for an actor or actress to properly prepare a role, he or she should always begin with an outer aspect such as a walk, a posture, or a peculiar vocal delivery, and then develop the inner life of the character.
A. True.
B. False

In a performance, a role needs both the inner aspect as well as outer aspect of the character to be played by the actor. Stanislavski's training system is the systematic approach to train actors well. According to him, a good performance includes a inner aspects of the role, called as 'experiencing' and a outer aspect of the role known as 'embodiment'.

Every actor should work on inner aspect as well as outer aspect of a role.

Hence the answer is

B. False

In order for an actor or actress to properly prepare a role, he or she should always begin with an outer aspect such as a walk, a posture, or a peculiar vocal delivery, and then develop the inner life of the character. A. True. B. False

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In order for an actor or actress to properly prepare a role, he or she should always begin with an outer aspect such as a walk, a posture, or a peculiar vocal delivery, and then develop the inner life of the character.
A. True.
B. False